Search Constraints
Search Results
Select an image to start the slideshow
What makes Iago evil
1 of 35
Striking through the pasteboard mask: a stylistics analysis of the works of Herman Melville
2 of 35
Specter of the past and vision of the future: the long shadow of Bram Stoker's Dracula
3 of 35
"The Arsenal of grace": understanding the role of violence and redemption in Flannery O'Connor's The Violent bear it away
4 of 35
Imperialism, neo-colonialism and international politics in Aldous Huxley's Island
5 of 35
The Nineteenth-century woman's modern reflection: female ego formation in Charlotte Brontë's Villette
6 of 35
Sexual slavery and the hope for the future in Nathaniel Hawthorne's The Scarlet letter
7 of 35
Check and mate: Chaucer's clerical tale of oppression, submission, and obligation
8 of 35
Charlotte Bronte's Jane Eyre and nineteenth-century Christianity
9 of 35
"Against either scale": analyzing Jesuitical equivocation in the porter scene in William Shakespeare's Macbeth
10 of 35
The Role of Tiresias in T. S. Eliot's The Waste land
11 of 35
Style, rhetoric, and ambiguity in Henry James's The Turn of the screw
12 of 35
Perspective made visible: the intellectual relationship of Ralph Ellison and Kenneth Burke
13 of 35
Aesthetic humanism: the radical romantic vision of Blake and Byron
14 of 35
The Politics of cultural trauma and violence in Junot Díaz's The Brief wondrous life of Oscar Wao
15 of 35
Violence begetting reverence: natural evil as "the pulsebeat of the world" in Cormac McCarthy's Blood meridian
16 of 35
Performance and grief: an analysis of Djuna Barnes's Nightwood
17 of 35
The Great Gatsby and the struggle for wealth, purity, and the pursuit of identity
18 of 35
Context: reading and writing in today's world
19 of 35
The Wife of Bath's true quest for sovereignty
20 of 35
Girls just wanna have fun: the truth behind the desiring nun archetype and the stereotypical use of the convent as a setting in the 18th century literature of Aphra Behn and Eliza Haywood
21 of 35
Othello: a tragedy of perception
22 of 35
Persistence, completion, and the basic writer
23 of 35
Ghosts, zombies, and angels: an exploration of metaphysics and the possibility of redemption in W. G. Sebald's prose narratives
24 of 35
Academic Literacy Acquisition (ALA)
25 of 35
A Lexical and Syntactical Analysis of Beowulf: a comparative analysis between the original manuscript and many translations of the 19th- and 20th-centuries
26 of 35
"Rooms, streets, streets, rooms": seeing one's self in the spaces of Mrs. Dalloway and Good Morning, Midnight
27 of 35
Sappho of Lesbos: influences in English literature and art
28 of 35
The colonization of Quincey Morris: the American other in Bram Stoker's Dracula
29 of 35
Darkness visible: Milton, seventeenth- century perspectives, and the changing Miltonic Canon
30 of 35
In formal contexts: the paratextual features of historiographic metafiction
31 of 35
Ever-Becoming Whitman: mythic perceptions cast long showers
32 of 35
Metamorphosis and metaphysics: an exploration of man and beast, good and evil, Christian and Pagan through Dichotomous Werewolves of the Middle Ages
33 of 35
Shakespeare as wordsmith of feeling: a stylistic analysis of word formation in Hamlet, King Lear, and The Tempest
34 of 35
“I Have Suffered With Those That I Saw Suffer”: Proximity, Trauma, and Shakespeare’s Tragic Women
35 of 35