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What makes Iago evil
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Striking through the pasteboard mask: a stylistics analysis of the works of Herman Melville
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Specter of the past and vision of the future: the long shadow of Bram Stoker's Dracula
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"The Arsenal of grace": understanding the role of violence and redemption in Flannery O'Connor's The Violent bear it away
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Imperialism, neo-colonialism and international politics in Aldous Huxley's Island
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The Nineteenth-century woman's modern reflection: female ego formation in Charlotte Brontë's Villette
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Sexual slavery and the hope for the future in Nathaniel Hawthorne's The Scarlet letter
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Check and mate: Chaucer's clerical tale of oppression, submission, and obligation
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Charlotte Bronte's Jane Eyre and nineteenth-century Christianity
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"Against either scale": analyzing Jesuitical equivocation in the porter scene in William Shakespeare's Macbeth
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The Role of Tiresias in T. S. Eliot's The Waste land
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Style, rhetoric, and ambiguity in Henry James's The Turn of the screw
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Perspective made visible: the intellectual relationship of Ralph Ellison and Kenneth Burke
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Aesthetic humanism: the radical romantic vision of Blake and Byron
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The Politics of cultural trauma and violence in Junot Díaz's The Brief wondrous life of Oscar Wao
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Violence begetting reverence: natural evil as "the pulsebeat of the world" in Cormac McCarthy's Blood meridian
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Performance and grief: an analysis of Djuna Barnes's Nightwood
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The Great Gatsby and the struggle for wealth, purity, and the pursuit of identity
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Chaucer's criticism of the church in The Canterbury tales
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Context: reading and writing in today's world
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