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What makes Iago evil
Striking through the pasteboard mask: a stylistics analysis of the works of Herman Mel...
Specter of the past and vision of the future: the long shadow of Bram Stoker's Dra...
"The Arsenal of grace": understanding the role of violence and redemption in...
Imperialism, neo-colonialism and international politics in Aldous Huxley's Island
The Nineteenth-century woman's modern reflection: female ego formation in Charlott...
Sexual slavery and the hope for the future in Nathaniel Hawthorne's The Scarlet le...
Check and mate: Chaucer's clerical tale of oppression, submission, and obligation
Charlotte Bronte's Jane Eyre and nineteenth-century Christianity
"Against either scale": analyzing Jesuitical equivocation in the porter sce...
The Role of Tiresias in T. S. Eliot's The Waste land
Style, rhetoric, and ambiguity in Henry James's The Turn of the screw
Perspective made visible: the intellectual relationship of Ralph Ellison and Kenneth ...
Aesthetic humanism: the radical romantic vision of Blake and Byron
The Politics of cultural trauma and violence in Junot Díaz's The Brief wondrous ...
Violence begetting reverence: natural evil as "the pulsebeat of the world" i...
Performance and grief: an analysis of Djuna Barnes's Nightwood
The Great Gatsby and the struggle for wealth, purity, and the pursuit of identity
Chaucer's criticism of the church in The Canterbury tales
Context: reading and writing in today's world
The Wife of Bath's true quest for sovereignty
Girls just wanna have fun: the truth behind the desiring nun archetype and the stereot...
Othello: a tragedy of perception
Persistence, completion, and the basic writer
Ghosts, zombies, and angels: an exploration of metaphysics and the possibility of rede...
Academic Literacy Acquisition (ALA)
A Lexical and Syntactical Analysis of Beowulf: a comparative analysis between the orig...
"Rooms, streets, streets, rooms": seeing one's self in the spaces of Mrs...
Sappho of Lesbos: influences in English literature and art
The colonization of Quincey Morris: the American other in Bram Stoker's Dracula
Darkness visible: Milton, seventeenth- century perspectives, and the changing Miltonic...
In formal contexts: the paratextual features of historiographic metafiction
Ever-Becoming Whitman: mythic perceptions cast long showers
Metamorphosis and metaphysics: an exploration of man and beast, good and evil, Christi...
Shakespeare as wordsmith of feeling: a stylistic analysis of word formation in Hamlet,...
“I Have Suffered With Those That I Saw Suffer”: Proximity, Trauma, and Shakespeare’s T...
A Spoon Full of Sugar: Exploring Real World Social Issues in YA/NA Retellings
A Gender Study of John Steinbeck's East of Eden: An Analysis of Cathy Ames, Siblin...
Breaking Binaries in Postmodern Poetry: Gender Identities in Prelude to Bruise, [Inser...
Male Narrators, Dead Women, and the Search for Identity in Edgar Allan Poe’s Short Sto...
A Golden Journal Orbiting the Rhetorical Galaxy
Transformation as Resistance: Agentic Alterations of Self in Jasmine, Gone Girl, and T...