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What makes Iago evil
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Striking through the pasteboard mask: a stylistics analysis of the works of Herman Melville
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Specter of the past and vision of the future: the long shadow of Bram Stoker's Dracula
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"The Arsenal of grace": understanding the role of violence and redemption in Flannery O'Connor's The Violent bear it away
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Imperialism, neo-colonialism and international politics in Aldous Huxley's Island
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The Nineteenth-century woman's modern reflection: female ego formation in Charlotte Brontë's Villette
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Sexual slavery and the hope for the future in Nathaniel Hawthorne's The Scarlet letter
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Check and mate: Chaucer's clerical tale of oppression, submission, and obligation
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Charlotte Bronte's Jane Eyre and nineteenth-century Christianity
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"Against either scale": analyzing Jesuitical equivocation in the porter scene in William Shakespeare's Macbeth
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The Role of Tiresias in T. S. Eliot's The Waste land
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Style, rhetoric, and ambiguity in Henry James's The Turn of the screw
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Perspective made visible: the intellectual relationship of Ralph Ellison and Kenneth Burke
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Aesthetic humanism: the radical romantic vision of Blake and Byron
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The Politics of cultural trauma and violence in Junot Díaz's The Brief wondrous life of Oscar Wao
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Violence begetting reverence: natural evil as "the pulsebeat of the world" in Cormac McCarthy's Blood meridian
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Performance and grief: an analysis of Djuna Barnes's Nightwood
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The Great Gatsby and the struggle for wealth, purity, and the pursuit of identity
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Chaucer's criticism of the church in The Canterbury tales
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Context: reading and writing in today's world
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The Wife of Bath's true quest for sovereignty
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Girls just wanna have fun: the truth behind the desiring nun archetype and the stereotypical use of the convent as a setting in the 18th century literature of Aphra Behn and Eliza Haywood
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Othello: a tragedy of perception
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Persistence, completion, and the basic writer
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Ghosts, zombies, and angels: an exploration of metaphysics and the possibility of redemption in W. G. Sebald's prose narratives
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Academic Literacy Acquisition (ALA)
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A Lexical and Syntactical Analysis of Beowulf: a comparative analysis between the original manuscript and many translations of the 19th- and 20th-centuries
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"Rooms, streets, streets, rooms": seeing one's self in the spaces of Mrs. Dalloway and Good Morning, Midnight
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Sappho of Lesbos: influences in English literature and art
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The colonization of Quincey Morris: the American other in Bram Stoker's Dracula
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Darkness visible: Milton, seventeenth- century perspectives, and the changing Miltonic Canon
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In formal contexts: the paratextual features of historiographic metafiction
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Ever-Becoming Whitman: mythic perceptions cast long showers
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Metamorphosis and metaphysics: an exploration of man and beast, good and evil, Christian and Pagan through Dichotomous Werewolves of the Middle Ages
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Shakespeare as wordsmith of feeling: a stylistic analysis of word formation in Hamlet, King Lear, and The Tempest
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“I Have Suffered With Those That I Saw Suffer”: Proximity, Trauma, and Shakespeare’s Tragic Women
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The Effect of Markedness on Epenthesis in Spanish/English Interlanguage Phonology
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Crowfoot's Dying Speech
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Syllable Structure Universals and Second Language Acquisition
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A Spoon Full of Sugar: Exploring Real World Social Issues in YA/NA Retellings
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A Gender Study of John Steinbeck's East of Eden: An Analysis of Cathy Ames, Sibling Rivalry, Marriage, Women, and Masculinity
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Breaking Binaries in Postmodern Poetry: Gender Identities in Prelude to Bruise, [Insert Boy], I Am Not Your Final Girl, and Femme in Public
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Male Narrators, Dead Women, and the Search for Identity in Edgar Allan Poe’s Short Stories
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A Golden Journal Orbiting the Rhetorical Galaxy
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Transformation as Resistance: Agentic Alterations of Self in Jasmine, Gone Girl, and The Vegetarian
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