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What is in a name: Olga Grushin's nameless protagonist, Mrs. Caldwell, in Forty Rooms as an "everywoman"
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"This fenced-off narrow space": an analysis of race and place in Maud Martha, All They Will Call You, and Owls Don't Have to Mean Death
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Mother outsider
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Reasons to worry
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To touch the stars/to touch the Earth
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The cost of freedom and other stories
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The good housewife's receipt book: gender in the early-modern English kitchen
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Alternative Subterfuge: Pranking Rhetoric In Shopdropping And Identity Correction
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In There Somewhere: A Memoir
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The New World of the Post-Apocalyptic Imagination
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A Postmodern View of Morality in the Works of Morrison, Capote, and O'Brien
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Transformational Grace in Victor Hugo’s Les Misérables
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Dust and Fresh Hope: Black Masculinity and the Space Left for Women in August Wilson's Drama
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Masks of Passivity: Hoodoo And Voodoo in the Works of Hurston, Twain, and Cable
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The Performance of Identity in Selected Plays by Jonson, Etherege, Cibber, and Crown
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Negotiations of Power in Raymond Andrew's Muskhogean County Triology
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Above The Fog Below The Snow
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The Critical Fortunes of Arthur Miller's "Death of a Salesman"
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Dramatizing the Written Word: Allusions and Inserted Genres as Heterglossia
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This Woman's Work
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