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What is in a name: Olga Grushin's nameless protagonist, Mrs. Caldwell, in Forty Rooms as an "everywoman"
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"This fenced-off narrow space": an analysis of race and place in Maud Martha, All They Will Call You, and Owls Don't Have to Mean Death
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Mother outsider
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Reasons to worry
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To touch the stars/to touch the Earth
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The cost of freedom and other stories
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The good housewife's receipt book: gender in the early-modern English kitchen
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Alternative Subterfuge: Pranking Rhetoric In Shopdropping And Identity Correction
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In There Somewhere: A Memoir
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The New World of the Post-Apocalyptic Imagination
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