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Jane Austen, "A judicious person with some turn for humor"
What is in a name: Olga Grushin's nameless protagonist, Mrs. Caldwell, in Forty Ro...
"This fenced-off narrow space": an analysis of race and place in Maud Martha...
Reasons to worry
To touch the stars/to touch the Earth
The cost of freedom and other stories
The good housewife's receipt book: gender in the early-modern English kitchen
Alternative Subterfuge: Pranking Rhetoric In Shopdropping And Identity Correction
In There Somewhere: A Memoir
The New World of the Post-Apocalyptic Imagination
A Postmodern View of Morality in the Works of Morrison, Capote, and O'Brien
Transformational Grace in Victor Hugo’s Les Misérables
Dust and Fresh Hope: Black Masculinity and the Space Left for Women in August Wilson&#...
Masks of Passivity: Hoodoo And Voodoo in the Works of Hurston, Twain, and Cable
The Performance of Identity in Selected Plays by Jonson, Etherege, Cibber, and Crown
Negotiations of Power in Raymond Andrew's Muskhogean County Triology
Above The Fog Below The Snow
The Critical Fortunes of Arthur Miller's "Death of a Salesman"
Dramatizing the Written Word: Allusions and Inserted Genres as Heterglossia