Violence is a fundamental truth in the works of Cormac McCarthy. More than just violence for the sake of violence, McCarthy employs violence in a way that is productive within his works: Blood Meridian: Or the Evening Redness in the West, No Country . . .

Purpose of the Study: Understanding impacts of invasive pathogens and wildfire on forests is a major challenge facing scientists, land managers, and policymakers. In this study, I used a long-term plot network in eastern Sonoma County to disentangle t . . .

All zoos grapple with challenges of keeping captive animals engaged in natural behaviors, especially for bears which prove to be among the more challenging species to keep stimulated. In captivity, a common indicator of poor welfare is the presence . . .

Throughout my life, growing up as an African American, I desired to gain answers to where my ancestors came from. The purpose of this self-study is to explore the role ancestry and the collective unconscious may have played in answering my question of . . .

My thesis begins by interrogating the ways in which two texts by Harriet Beecher Stowe--Uncle Tom’s Cabin and its follow-up, Dred--construct Black supernatural ability as racially innate and divinely specific. Harriet Beecher Stowe’s notion of “Black . . .

Throughout Toni Morrison’s novels, characters struggle to reclaim their own humanity in the face of domination and trauma. While countless scholars have remarked upon the themes of oppression and language, and several others upon the symbolism of natu . . .

On December 30, 2004, my father murdered my mother. The wound left by my mother’s absence has never fully healed. This work is my attempt to describe what it felt like to lose everything in one day, to try and find my place in a new family, and to mov . . .

The purpose of this thesis is to explore the ways in which working-class Kānaka Hawai’i (Hawaiian) immigrants in the nineteenth century repurposed and repackaged precontact Hawai’i strategies of accommodation and resistance in their migration towards . . .