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What is in a name: Olga Grushin's nameless protagonist, Mrs. Caldwell, in Forty Rooms as an "everywoman"
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"This fenced-off narrow space": an analysis of race and place in Maud Martha, All They Will Call You, and Owls Don't Have to Mean Death
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The Nineteenth-century woman's modern reflection: female ego formation in Charlotte Brontë's Villette
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Sexual slavery and the hope for the future in Nathaniel Hawthorne's The Scarlet letter
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Check and mate: Chaucer's clerical tale of oppression, submission, and obligation
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Charlotte Bronte's Jane Eyre and nineteenth-century Christianity
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"Against either scale": analyzing Jesuitical equivocation in the porter scene in William Shakespeare's Macbeth
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The Role of Tiresias in T. S. Eliot's The Waste land
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Style, rhetoric, and ambiguity in Henry James's The Turn of the screw
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Perspective made visible: the intellectual relationship of Ralph Ellison and Kenneth Burke
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