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Women, Power and Silence in Shakespeare's A Midsummer Night's Dream
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Sweet Bitter Wind
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The influence of Vergil's Aeneid on Shakespeare's Henriad
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"And I too change perpetually-now this, now that": negotiating space, community, individuality and mobility with Elizabeth Gaskell's realism and modernity
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Modes of retention and acceptance: the reconciliation of past and future within J.R.R. Tolkien's Middle-Earth
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A fantastic feast: William Shakespeare's Titus Andronicus as grotesque
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Gone goth: feminism and the female revenger in Titus Andronicus and Gone Girl
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Possessors or collectors: models of authority in student writing
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Winter and Spring: A Memoir
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The good housewife's receipt book: gender in the early-modern English kitchen
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Alternative Subterfuge: Pranking Rhetoric In Shopdropping And Identity Correction
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In There Somewhere: A Memoir
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The New World of the Post-Apocalyptic Imagination
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A Postmodern View of Morality in the Works of Morrison, Capote, and O'Brien
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Transformational Grace in Victor Hugo’s Les Misérables
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Dust and Fresh Hope: Black Masculinity and the Space Left for Women in August Wilson's Drama
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Masks of Passivity: Hoodoo And Voodoo in the Works of Hurston, Twain, and Cable
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The Performance of Identity in Selected Plays by Jonson, Etherege, Cibber, and Crown
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Negotiations of Power in Raymond Andrew's Muskhogean County Triology
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Above The Fog Below The Snow
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The Critical Fortunes of Arthur Miller's "Death of a Salesman"
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Dramatizing the Written Word: Allusions and Inserted Genres as Heterglossia
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This Woman's Work
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Life Is But A Dream: The Pursuit of Happiness in Twentieth Century American Literature
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"The Rarer Action": Revenge and Pity in Titus Andronicus and the Tempest
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Demonstrations of Power in the Marriage Plots of "Daniel Deronda," "The Eustace Diamonds," and "Phoebe Junior"
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Performantive Patriarchy in Three Turn-of-the-Century Naturalist Novels
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Using Postcolonial Literature in the Field of Composition: A Cross-Discipline Dialogue
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Gabriel Garcia Marquez and the Aesthetics of Sensuality
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The Possibilities of Publics: New Media and Genre in the First-Year Composition Course
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"Your Little Hands Were Never Made/ To Tear Each Other's Eyes": Victorian Anxiety and the Feral Child in Frankenstein, The Jungle Book(s), and Peter Pan
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Multimodality in the Technical Age: A Historical Survey of Technology and Writing
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Competition and Cooperation: Relationships Between Women in Pride And Prejudice, The Mill On The Floss, and Jane Eyre
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WALKING RELINQUISHMENTS: SACRIFICE IN WILLIAM FAULKNER'S THE SOUND AND THE FURY, AND "THE BEAR"
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Anglo-Saxon: the Key to Stephen King's "The Dark Tower"
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Changing Landscapes: American Frontier Mythology and "Place-Making" in Popular Western Narratives
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Virtue in the World of Charles Dickens
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In the Cricket Hours: A Collection of Poems
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The Re-Enchanted Landscape: Bret Harte's and John Muir's Spatial Productions
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Test Patterns
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Wanderlust: A Collection of Short Stories
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The Wire Politics, Postmoderism and the Rebirth of American Naturalism
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Re-Envisioning a Community College Reading Program: Academic Reading Instruction as an Integrated and Recursive Process
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Sabina
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Liberty or Life: Death, Women and Freedom in Victorian Sensation Fiction
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The construction and transgression of boundaries in late Victorian supernatural literature
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Diving for Abalone: Beneath the Surface of Grief
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A fence in the dark
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Control and resistance in the dystopian novel: a comparative analysis
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Good morning, Colossus
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