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In Memoriam: an ode to melancholy and religion in Tennyson’s magnum opus
A Lynchiannoir: film noir as the language of trauma
Jane Austen, "A judicious person with some turn for humor"
Reaching Out: Advice and Information Networks Within a Middle School English Language ...
Appropriations of jazz : voicings of cultural hybridity
The rhetoric of the Hmong : identity formation in the borderlands / by Linda Vang.
What makes Iago evil
Striking through the pasteboard mask: a stylistics analysis of the works of Herman Mel...
Specter of the past and vision of the future: the long shadow of Bram Stoker's Dra...
"The Arsenal of grace": understanding the role of violence and redemption in...
Imperialism, neo-colonialism and international politics in Aldous Huxley's Island
What is in a name: Olga Grushin's nameless protagonist, Mrs. Caldwell, in Forty Ro...
"This fenced-off narrow space": an analysis of race and place in Maud Martha...
Mother outsider
The Nineteenth-century woman's modern reflection: female ego formation in Charlott...
Sexual slavery and the hope for the future in Nathaniel Hawthorne's The Scarlet le...
Check and mate: Chaucer's clerical tale of oppression, submission, and obligation
Charlotte Bronte's Jane Eyre and nineteenth-century Christianity
"Against either scale": analyzing Jesuitical equivocation in the porter sce...
The Role of Tiresias in T. S. Eliot's The Waste land
Style, rhetoric, and ambiguity in Henry James's The Turn of the screw
Perspective made visible: the intellectual relationship of Ralph Ellison and Kenneth ...
toogoodtobetrue
Children of Immigrants
Aesthetic humanism: the radical romantic vision of Blake and Byron
The Politics of cultural trauma and violence in Junot Díaz's The Brief wondrous ...
Violence begetting reverence: natural evil as "the pulsebeat of the world" i...
Performance and grief: an analysis of Djuna Barnes's Nightwood
The Great Gatsby and the struggle for wealth, purity, and the pursuit of identity
Chaucer's criticism of the church in The Canterbury tales
Context: reading and writing in today's world
The Wife of Bath's true quest for sovereignty
Podloujny
Red in-between: as a culminating experience
War as the darkest landscape : postmodern Gothic in three Vietnam novels by Tim O'...
Marlow and the "necessary fiction" of morality in Joseph Conrad's Heart ...
The genre of parenting magazine articles: perpetuating the myth of motherhood
Two trees
Daddy's girl: as a culminating experience
Maybe they will go somewhere and maybe they will speak
Lanford Wilson : an American voice
Tracing the evolution of Bertolt Brecht's play Round Heads And Pointed Heads: the ...
The rhetoric of the rhizome: composing open consciousness in contemporary US nonfiction
The dream of the man in the piano
Nobody’s Damn Business: A Collection of Autobiographical Essays
An Open Dialogue: the Necessity of Teaching the Narrative and Reading the Memoir in Ac...
Through the Valley
In the Realm of the Shadow: Conjuring Black Supernaturalism in Stowe, Morrison and Hur...
A Geology of Fear: The Prospect of Language in Cormac McCarthy’s Blood Meridian, No Co...
Different Branches of the Same Tree: Ecophobia and the Common Roots of Oppression in t...
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