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What is in a name: Olga Grushin's nameless protagonist, Mrs. Caldwell, in Forty Rooms as an "everywoman"
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Reaching Out: Advice and Information Networks Within a Middle School English Language Development Program
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Appropriations of jazz : voicings of cultural hybridity
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The rhetoric of the Hmong : identity formation in the borderlands / by Linda Vang.
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What makes Iago evil
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Striking through the pasteboard mask: a stylistics analysis of the works of Herman Melville
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Specter of the past and vision of the future: the long shadow of Bram Stoker's Dracula
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"The Arsenal of grace": understanding the role of violence and redemption in Flannery O'Connor's The Violent bear it away
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Imperialism, neo-colonialism and international politics in Aldous Huxley's Island
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What is in a name: Olga Grushin's nameless protagonist, Mrs. Caldwell, in Forty Rooms as an "everywoman"
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"This fenced-off narrow space": an analysis of race and place in Maud Martha, All They Will Call You, and Owls Don't Have to Mean Death
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Mother outsider
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The Nineteenth-century woman's modern reflection: female ego formation in Charlotte Brontë's Villette
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Sexual slavery and the hope for the future in Nathaniel Hawthorne's The Scarlet letter
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Check and mate: Chaucer's clerical tale of oppression, submission, and obligation
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Charlotte Bronte's Jane Eyre and nineteenth-century Christianity
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"Against either scale": analyzing Jesuitical equivocation in the porter scene in William Shakespeare's Macbeth
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The Role of Tiresias in T. S. Eliot's The Waste land
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Style, rhetoric, and ambiguity in Henry James's The Turn of the screw
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Perspective made visible: the intellectual relationship of Ralph Ellison and Kenneth Burke
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toogoodtobetrue
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Children of Immigrants
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Aesthetic humanism: the radical romantic vision of Blake and Byron
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The Politics of cultural trauma and violence in Junot Díaz's The Brief wondrous life of Oscar Wao
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Violence begetting reverence: natural evil as "the pulsebeat of the world" in Cormac McCarthy's Blood meridian
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Performance and grief: an analysis of Djuna Barnes's Nightwood
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The Great Gatsby and the struggle for wealth, purity, and the pursuit of identity
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Chaucer's criticism of the church in The Canterbury tales
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Context: reading and writing in today's world
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The Wife of Bath's true quest for sovereignty
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Podloujny
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Red in-between: as a culminating experience
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War as the darkest landscape : postmodern Gothic in three Vietnam novels by Tim O'Brien
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Marlow and the "necessary fiction" of morality in Joseph Conrad's Heart of Darkness and Lord Jim
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The genre of parenting magazine articles: perpetuating the myth of motherhood
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Two trees
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Daddy's girl: as a culminating experience
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Maybe they will go somewhere and maybe they will speak
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Lanford Wilson : an American voice
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Tracing the evolution of Bertolt Brecht's play Round Heads And Pointed Heads: the Shakespeare connection
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The rhetoric of the rhizome: composing open consciousness in contemporary US nonfiction
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The dream of the man in the piano
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Nobody’s Damn Business: A Collection of Autobiographical Essays
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An Open Dialogue: the Necessity of Teaching the Narrative and Reading the Memoir in Academic Writing Courses
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Through the Valley
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In the Realm of the Shadow: Conjuring Black Supernaturalism in Stowe, Morrison and Hurston
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A Geology of Fear: The Prospect of Language in Cormac McCarthy’s Blood Meridian, No Country For Old Men, and The Road
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Different Branches of the Same Tree: Ecophobia and the Common Roots of Oppression in the Novels of Toni Morrison
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An emerging Hmong rhetoric
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Girls just wanna have fun: the truth behind the desiring nun archetype and the stereotypical use of the convent as a setting in the 18th century literature of Aphra Behn and Eliza Haywood
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