Given that Flannery O’Connor openly claimed to incorporate her Catholicism into her works, many critics have noted the various types of violence in her stories that are often connected with those moments in which her characters become receptive to gra . . .

The purpose of this thesis is to understand and analyze Aldous Huxley’s presentation of neo-colonialism in his utopian novel Island. Particular attention will be given to his portrayal of economic relations between first world powers and the third wor . . .

Reading “The Clerk‟s Tale” can be a frustrating experience, for it seems to mean something, but—even barring modern sensibilities from the analysis—it seems confused or even self-contradictory in its conclusions. Is it the ideal marriage or not? A lit . . .

A study of equivocation will yield that this practice commanded a vast amount of attention during the Renaissance, the time period of 1450-1600, in which Jesuitical equivocation was an ongoing phenomenon. The practice became part of the Renaissance er . . .

The narcocorrido or drug ballad is a subgenre of the traditional Mexican corrido. Characterized as a violent and drug themed music, the narcocorrido is often criticized for its glorification of the narcolifestyle as it often depicts stories related to . . .

The text offers a barren landscape and desolate setting, governed by a violent zealot. We are presented with characters whose minds we cannot penetrate and an unresolved ending, with our only potential hero dying off just like the rest of them, except . . .

Barnes’s works are steeped in overt grief and rage, and all of her longer works can be directly traced back to traumatic events in her life. Antiphon and Ryder both are vicious retellings of her early family life. Themes of incest, rape and stolen vir . . .

In “The Wife of Bath’s Tale,” does Chaucer merely retell the story popularly known as “The Wedding of Sir Gawain and Dame Ragnell?” These two stories are essentially the same, except that Chaucer’s is more humorous. In order to argue against the claim . . .

The literature and drama of the long eighteenth century is overpopulated with nuns, and they are all transgressors of patriarchal society in one way or another. These nuns are all vow-breakers, fornicators, and fallen women; whether they were ruined a . . .

Melancholy, enigmatic, haunting, spectral. These are words often used to describe W.G. Sebald’s prose style. Critics and lay readers who find themselves enmeshed in Sebald’s enchanting, dark web of words sometimes find his work difficult to categorize . . .